I took a small hog brush and some black thinned with turps, and made these corrections. I'm ready for a cup of coffee now. I think I've nailed him. The trick now is not to loose him again in the re-painting.
An hour of frustration, then I squinted and obliterated all detail with blocks of tone. I'm finding that using a brush for each shade keeps me making decisions. I need to stop 'drawing' and keep on 'painting' if that makes sense?
1 comment:
I am liking it, and I know what you mean. the angle is really nice by the way.
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